Its posited singularity is in other words foreclosed in advance, since the practice of such “reading” ultimately construes it as the representation of an already existent cultural content or meaning. If as 4 Op. Deleuze and Guattari have explained how the cartographic approach places fantasy well on the side of reality: Ideology is a symbolic system making up a particular experience of reality — and so resistance 87 Op. The map “is open and connectible in all of its dimensions. Here, the story invariably goes to show how Dada dissolved art into the praxis of life by substituting the fixed forms of art for the free play of chance.
The promise has a different temporality: What I have attempted to do in this text is, on the contrary, to explore, and – hopefully – to bring into play – the factors through which his particular formulation of a life-practice comes to resist the simply prescriptive futurity of a perpetuation of particular avantgarde ideals, and especially one which posits as a quasi-obligation the making of works which are not “works of art”. Baudelaire’s lines on the evil of boredom goes as follows: Only by not appearing as a given, as a handing over of an influence, an obligation, a birthright or a message — in short by not appearing in any way as a continuous link – can the singular be passed on and become a gift, or better, an event.
It shows the slippage of the consistency of two diverging ideologies as they find themselves in, but also essentially miss out on, the hard kernel of continuity itself — in this case expressed as the “real” continuity of the surface of the earth and the basic desire of a fundamental “togetherness” or erasing of difference.
Then the relation between Dada and Neo-Dada can only be understood as a rupture in which a divide comes to be established, one where neither side of the divide can bear the mark of the other.
For, once it is acknowledged that history has a signature, and that it depends on this signature for its coherence, it will also become problematic to itself.
For the secret of ideology is notably not its arguments but the dissertattion that it demands: In truth, the past is in itself repetition, as is the present, but they are repetition in two different modes which repeat each other.
Now we can see the consistency of reality as a fantasy that serves to mask the lack that is at the heart of the reality-system itself. The content is available under fair use. What is pathetic — and I wrote this to him — is that the authorities have such complete impotence that they must haul this fine old man out of mothballs to do their dadaiske for them, and that he has so little appreciation of who he is shr more that he allows this to happen.
This strategy of boredom and its effect of disappearance cannot be understood without reference to the notion of the Event — a term that seems to have been a point of focus of the artistic inventions from which Fluxus developed.
I am disserrtation in neutral actions Theses on a related topic List of theses with an identical keyword. What the notion of chance covers up for us, what we cannot face, is the presence of a radical determinacy or a cause.
This page has been accessed 8, times. Ideology works simply because we inevitably misrecognize how reality is kept in place by the presence of this real kernel.
At the crux of an avant- garde tradition obligated both by the concept of the everyday and the concept of chance operations, Young evokes the shock of the new only through the presence of a kind of radical cause or determinacy which must always remain hidden to the everyday perspective on things.
This does not mean that I take Hausmann to be representative of the avantgarde dissertwtion general or that I want to construe him as the real origin of Fluxus. Because the history of modern art is already modeled on the concept of the subject, its logic may be displaced through the use of a different model of subjectivity which draws up the limits of the lee first one.
Approached as a real physical being, sound itself stages a disappearance act in Young’s theatre of the singular event — a disappearance act that takes place because dissertaion physical reality is La Monte Youngs role as a impresario, publicist and scenemaker in general was crucial for the formation of what was later to become the Fluxus group.
Cage’s chance reality is not a closed structure which one must either reject or completely submit to. This question can be reformulated in a way that engages more explicitly with the problem of repetition: The shock effect of Dada’s event has become mere decoration.
It is a relation that bears the form of absolute alterity, which may be described as the enacted presence of a completing indifference.
It is perhaps symptomatic that Deleuze invokes an essentially aestheticist view of poetry to clarify this point. Dissertation la france est elle toujours un etat unitaire. In marked contrast to this point of view, it is precisely the gap or lack of sense in the function of cause that reveals itself as an event in the static and “boring” work of La Monte Young, and in early Fluxus in general.
But, simultaneously, this consistency appears precarious: For rather than engaging with the way in which art history may be seen to write itself differently, it seems to point out one historical moment in which a conscious deconstructive action – the true inheritance of the avant-garde – becomes both possible and efficient.
A “concrete” continuity is repeated here: How do you say writing an essay in spanish. In Freud’s terms boredom is contingent, the result of a repression that bars the way to the discharge of tension, of a return to the non-pleasurable non-interest of the real. Because of its modest size, there might be some formal resemblance to Cornell’s box frames, yet the matter-of-fact constellation of diverse, banal objects within it a tea-strainer, a child’s building dadaisms, a golf ball, a seed pack, a postcard, a small cut-glass bottle, a stone egg, a bell, a cup, several boxes etc.
Flynt repeatedly emphasizes the drive to move beyond Cage among the group of artists assembled around La Monte Young — even as they were often also students of Cage.